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Si Moh, Pas De Chance

1) Watch the film – Si Moh, Pas De Chance (1970) dir. Moumen Smihi
2) Use the readings and can only use those readings (uploaded in the files)

3) Answer the following questions:
How does your film (or: how do your films) embody the notion of pluralism or dissent?
What kinds of cultural, political, or social questions does each film address?
What kinds of formal or narrative strategies does it use in order to do that?
And how do the readings we’ve done help to explain or demonstrate any of those qualities?